Hmmm, I just tried to sign up to Instagram again. Now, I know that I don’t own the name NomadWarMachine, but I use it across so many platforms that I identify with it as strongly as I do with my “real” name.
But somebody else has taken it (stolen, I am really thinking) it on Instagram so I can’t have it. Pout. So after sulking for a while I tried to sign up with the name I use for Skype (another place where a usurper stole my nomad name).
But somebody else has stolen that as well. And to add insult to injury they have never even posted there.
This is not funny – this is my identity! I’m trying to laugh, but it matters. Well, not the second name so much, but my “real” social media identity. That’s me, and when the name’s not available for me to use then I don’t want to use that platform. Gah.
No, not a map of cats, but a map for cats. Specifically, this is a map of the downstairs of our house and the back garden. Each X marks a spot that is owned by a cat or that a cat finds exciting (or both).
Today’s inspiration for #Mapvember comes from Deleuze and Guattari’s writings on the rhizome. This is one of the passages in A Thousand Plateaus (ATP) that I return to again and again:
Make a map, not a tracing … What distinguishes the map from the tracing is that it is entirely oriented toward an experimentation in contact with the real … The map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group, or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation … A map has multiple entryways, as opposed to the tracing, which always comes back “to the same.” The map has to do with performance, whereas the tracing always involves an alleged “competence”. (D&G ATP pp 12-13)
To me this is the essence of #CLMooc, #DS106 and the whole participatory HOMAGO culture. Don’t copy (trace), but remix. Ignore instruction. Flout, subvert. Pirate, appropriate, make it your own. Refuse to acknowledge plagiarism as a problem. Honour the artists, writers, poets and musicians you admire by making your own versions of their work. Inspire, and be inspired.
A new month, a new challenge. This was one suggested by Wendy Taleo and developed by her and others in the CLMooc collective. Inspired by Miska Fredman’s mapvember challenge during November we in CLMooc will be making some maps together. Our blog has lots of suggestions about how folk might approach this but ultimately it’s up to each of us to decide what we all do.
I began today by talking Miska’s first word of the day – goblin – and sketching a quick map:
I don’t know where I’ll go with this challenge this month, but I’m aiming to have a bit of fun and practice my drawing … and maybe learn some fingerpicking tunes on my uke as well.
This week hurricane Ophelia hit the UK. Well, I say hit, but it was really more of a tickle in Glasgow – wet and windy, but no worse than the usual Autumn storms. And as I reflected on today’s Daily Create challenge today I realised, yet again, just how lucky I am to live in this beautiful country and to work at such a magnificent University. Look at Pearce Lodge, for example – elements of 17th century buildings reconstructed into a new structure when the campus moved in the 1880s, the chimney heads damaged and repaired after WW2 – I love this building for it’s shape and for its history. That’s build to last.
By contrast consider the Universidad del Sagrado Corazon in Puerto Rico – ravaged by hurricane Maria but determined to carry on teaching – I have no words to express my admiration for these people. I’ve sent a card – prompted by Alan’s blog post at the weekend – and I tweeted them a photo today (featured at the top of this post – it’s a wreck of a boat on my favourite island of Mull, with a tree tenaciously growing out of its deck) as requested by the Daily Create – and I will be following Antonio and finding out what his students do next.
I take my hat off to all of you, and hope you will let me know if I can be of any help to you.
Fractals fascinate me – the mesmerising beauty of their evolving, expanding symmetry never fails to draw me in and remind me how beautiful maths can be. Mandelbrot, of course – such mathematical cleverness, but also the numerous examples that can be found in the natural world. Romanesco broccoli, pine cones, snowflakes – even trees. Surely Deleuze would not have been tired of trees had be noticed this facet of their nature.
So as I was googling this week I was delighted to find that fractal music is an existing genre. I read about the musical motif called an ostinato (which I think is a fancy name for a riff, actually), and wondered if we could use this to create some CLMooc fractal music.
For me it’s the act of zooming in and finding macro patterns copied in micro that fascinates me, so I wondered how to emulate that in musical form. A simple way of doing this, at least in my mind, would be to find a passage of music (the ostinato), and then mimic this zooming in and zooming out that visual representations do. Here’s my initial thoughts:
Play the phrase at normal volume. Play it again very quietly and keep playing it over and over, louder each time, till it gets back to the original volume. Repeat.
Play the phrase right down at the left hand end of the keyboard. Play it again a few notes up, then up again, right to the top of the keyboard. Repeat.
El (a musical friend) suggested starting with breves (long notes) and repeating with shorter and shorter notes.
Niall and I thought about layering the phrases in (3), so for each time we played it through as breves we’d play it through twice as semi-breves etc. (Hard to explain this one without doing it, but maybe this makes sense?) I think this would also work for (1) and (2), and we could possibly combine 1-3 and make one fractally magical noise.
El suggested changing the note order to represent the branching.
Other things that Wendy and I discussed were using different instruments, and using rounds (like “row your boat”).
And, just as I dash off to have my Saturday night pizza, I realise that we could use Fibonnaci numbers, and that seems so beautifully easy. At least on paper. 🙂
“Mandelbrot Monday” flickr photo by kevin dooley shared under a Creative Commons (BY) license.
“Romanesco” flickr photo by tuppus shared under a Creative Commons (BY) license.
I’m always looking at the sky – my camera is full of pictures of sunshine and sunsets – so Kim’s weekly photo challenge is right up my street this week. The pic above is of Bridge Street subway early one morning a few months ago – I love this image.
Last November we travelled south for mum’s 80th birthday, and walked along a local beach as the day was closing in. I always love being near the sea, and the sunset was stunning:
Back in Glasgow we get spectacular evenings as well – here’s a couple of the beautiful Uni tower:
This next one was taken through the car window:
Who doesn’t love a rainbow? Here’s one over Loch Ness, where my brother and his family rented a boat this Easter:
and here’s a doubler outside our house recently:
I could go on, and on – but I’ll end with one of naughty little Cagney – who escaped from Niall’s loft study and got stuck on the roof – it took a while to coax her back in:
Last summer, Aras, AK, Len and I did some exploratory research into “lurking” behaviour in #CLMooc. I wrote about a presentation I gave, and we recently had a paper published in EURODL. “Lurking” is a loaded term, with negative connotations, and we tried to find a more positive word. The best we could do was to suggest “legitimate peripheral participants” (LPPs), which is term from Lave and Wenger’s Situated Learning, which rings true for us as it looks at communities of practice and fits well with the ethos of CLMooc.
We concluded that this was a complex issue, that there was no one motive for being an LPP – that although time was mentioned many time as a reason, we suspect that there is more to be spelled out here – and we knew that we wanted to delve deeper into the questions.
It’s that time of year again, and with #CLMOOC in full swing again for the summer, we are planning some follow up research to see if we can probe deeper into online behaviour including lurker intentions. So we’ve created a Google form to capture responses – please do feel free to fill it out. I’ve embedded it on this page, but the link is also here.