I can rarely find a bookmark when I want one – I use scraps of paper, post it notes, whatever I have to hand. I remember trips to bookshops as a child, the thrill of a book token for Xmas or a birthday, swapping the token for a stack of new books, picking up a handful of free bookmarks at the till. Now I buy most of my books online, of course. But sometimes I take a book from my shelf and find a real book mark inside it – like this one, made for me by Algot:
So here’s my latest project – a series of bookmarks doodled in odd moments – some from daily doodle prompts, others just because. Now I am addressing envelopes and awaiting postage stamps so I can send them around the world.
This is my Granny, Constance May Hobbs. Her father had a soft furnishing company that went to the wall during WW1, so she left school at 14, but was fiercely proud of her teacher husband, her 4 children and all her grandchildren. She was so talented at crafts – she painted, knitted, embroidered. My favourite flower vase was made by her and I have two of her embroidered cushions on my sofa.
When Grandpa died I went to live with her – she taught me how to read cookery books and adapt recipes, how to love the evening skies, how to drive faster than my mum thought safe (she was like the Red Queen in a passenger seat – always urging me to “go faster”).
I’ve been involved in open learning for several years now. It started almost by accident, when some guy called Dave ran a crazy learning experience that we called rhizo14, carried on serendipitously into a sister experience called CLMOOC, and gradually became a part of my daily ritual as I started participating in Daily Creates. Much of what happens in these open, online experiences can appear to be random and unstructured, but beneath and behind them is a set of core principles and values and a tried and tested design. Those can be broadly summed up as belonging to an educational framework called connected learning. That’s helped me to learn some tricks to help all of us (staff and students) to teach and learn online. They’re at the end of this post, for those wanting to skip straight to the punchline.
Connected learning is a work in progress. It begins from an (intuitively plausible, I think) set of beliefs in the value of learning that is interest-driven, peer-supported and academically relevant, and harnesses the power of social media in order to make these types of learning better integrated into learners’ lives while attempting to make it accessible to anyone who wants to participate (equity is a core value). As such, it is platform and technology agnostic, although the values of open education are central to what practitioners do.
At the heart of connected learning is the thought that we live, nowadays, in a participatory culture. Sometimes people describe this as “Web 2.0”, but participatory culture is actually a richer concept than that. Henry Jenkins contrasts the concept of “interactivity”, which he describes as a relationship between a customer and a software company and a property of some social media platforms, and “participation” which is a relationship between people (which can be facilitated by use of social media). This means that we can’t take student engagement for granted, we have to explicitly design it into our courses. For those familiar with the terminology, I might use this distinction to explain the differences between xMOOCs and cMOOCs. I say this to note a difference, and not to imply that cMOOCs are always superior – knowledge acquisition and participation in learning are not, imo, contradictory concepts – each has its place. Anna Sfard makes this point better than I could.
To an outsider, learning in the open can look unstructured and random, and those new to this type of learning and teaching can feel overwhelmed, out of their depth, unsure of their own abilities, frustrated, scared or even angry. This goes for both learners (often called participants) and educators (often called facilitators). This is why it is so important to design these experiences carefully, and to think carefully about the types of support that can be provided. I think, in the interesting times that lie ahead of us, we are all going to need all the support we can get – both to keep ourselves going, and to help our learners. Teaching and learning online can be an isolated experience, as those of us who do it know only too well.
So how can all of this help us now? First of all I should stress that I’m not suggesting that everybody immediately abandons whatever they are doing and redesign their courses so that they are connected learning experiences – I’m not trying to make more work for anyone. What I am going to tell you about is some tried and tested strategies that have helped the community that I am a part of to emerge and continue. I’m not pretending to have invented any of these strategies either – just to have used or experienced them for myself.
Remember that your learners will be in many different time zones, some of which will have better connectivity than others. People who can’t participate are likely to feel very left out and uncared for. Think about asynchronous activities as well as synchronous ones.
Some learners will have state of the art technology, others … won’t. Think about designing activities/resources that can load on different devices.
Realise that there is no such thing as a digital native: some (staff and students) will find it easy to adapt to this new way of teaching and learning others … won’t. We can’t predict who will and won’t adapt. Think about how to support staff and students who just can’t work out how to log in/submit/engage.
Don’t rely on one platform or one mode of delivery. Systems could be overloaded, or not available for a particular device, or not available in a geographical area (YouTube content, for example, can be restricted by geographical area). Yes, this could mean duplicating important content/messages in order to ensure that everyone who needs can access them.
Don’t force anyone to use a particular platform (other than official, institutionally supported ones). Your students might well have ethical objections to using a particular one. Respect those. Never require anyone to sign up to a (non-institutionally supported/“official”) platform in order to participate. Data rights are human rights.
Tap into the altruism of others. Nurture a community that helps each other (both staff and students). Model this yourself, watch for others doing it and publicly thank them. Think about the types of roles that might be needed to build a learning community: as well as you (the teacher), you might look for particularly active and/or knowledgeable students to become mentors.
Structure informal activities that people can engage in if they want. These don’t have to take a lot of time to design – you might ask students to share something unique about where they are living, to tell others about their hobbies, pets, or family. You could ask them to do this by sharing a small image, a link to a website, or a forum post. These help participants to feel that they belong and can build a sense of community over time.
And, finally, reach out to others around you. Use your networks and don’t be afraid of saying that you are finding something hard. My initial experiences of all of this was a baptism of fire. Those who watch me nowadays often think that I always find it easy to participate, and have always found it easy, but that’s not true. In fact, I nearly dropped out of an early connected learning experience (CLMOOC 2015) because I was feeling lost, confused and overwhelmed. What happened next was, I realise, due to the carefully designed support structure that was in place. I shouted out into the void and someone answered. The rest, as they say, is history.
Were were you six years ago? When I asked myself that question earlier this week I realised that I was participating in the first week of rhizo14
So much has happened since then – so much that I don’t know where to start. I tried to remember who I met for the first time then and put tagged some people in a tweet:
Kevin suggested that we all write something to mark the occasion:
So here’s an open invitation – to anyone who wants – let’s have a rhizo reunion. Let us know what you’ve done since rhizo14, or 15, or whenever it was that you first encountered this networked learning that we do. Tag it #rhizo, if you like, and share it with us.
My Granny taught me a lot about cooking. She’d read a recipe – say for pork chops with apple – and say that she thought she’d make it for tea, and maybe alter it a little bit, because she realised that she had some lamb chops and apricots that would make a good combination. Whatever she made was delicious – she was a great cook.
I thought about this today when I attended a seminar which was advertised as being about Team Based Learning (TBL). TBL is a very structured approach to active learning, and it has a fairly formulaic recipe. Some proponents say that it should be followed to the letter, others say that there can be some leeway in modifying it – but my experience today got me wondering: when does a learning design stop being a modified version of the original and start being something else altogether? The version I was told about today was an interesting type of active learning, but it was very removed from being TBL. It was not bad teaching and learning, in fact I think it was very good – but I don’t think the presenter had understood what the original design was all about.
So where do we draw the line? If I tell you that I am making you a Shepherd’s Pie, but actually I substitute the original filling with apple and the topping with meringue, is it still a type of modified Shepherd’s Pie? Surely not. How about if I keep the original filling and top it with meringue – is it now a not very palatable Shepherd’s Pie? Possibly.
To return to Granny’s cooking, of course in the example above she wouldn’t have told us that she was giving us pork chops with apple – she’d present the dish as her own, maybe as inspired by the original. And, importantly, my Granny understood cooking – she understood why the original elements worked together and why her substituted ones would also work together well. I think that’s the same for teaching and learning – before we can start swapping bits in and out of a successful design, we need to understand how and why the original design works.
Some people might say that TBL is poorly named, and that others can be excused for not understanding that it is a particular type of design. That might be so, but I don’t think that’s much of an excuse.
It took me a long time to start doing the Daily Create. I wanted to participate, but I was not sure I should, or could. Although it’s an open community, I still felt that I’d be an interloper, rudely bursting into a private conversation (and I’ve heard others say this about similar situations, so I know that this is an issue for open educators, but I am going to side step this for today). And the people participating all seemed so proficient – they seemed to do it all so expertly and effortlessly that I was sure that my feeble efforts would not be worthy (again, there’s lots here to tease out that I will pass over for now). Still, I finally took the plunge on March 19th 2016, and now I have 1148 submissions under my belt. For the last couple of years I have made sure to submit something every single day. Sometimes it takes me a few minutes to submit my daily create, other days it takes a few hours, but every day I make sure that I do something – it’s now part of my everyday practice. Sometimes it’s a real struggle to find the time, and sometimes I feel that I am not putting in the effort that I should, but doing something every day helps me in ways I don’t always recall at the time.
So this is my resolution for 2020 – to keep on keeping on. To submit to the daily create every day, to continue with my doodling challenges, and to rejoice in playful learning.
More doodling – a reindeer today. Again I searched Google images and scanned through to get an idea of the basic shapes I wanted to draw. Then I sketched, quickly, using a Tombow brush pen this time (lovely pen, I am enjoying drawing with this). I grabbed a red crayon and coloured in the noses and hats.
Then, when the first piece of paper was full I grabbed a pad of plain paper and drew another reindeer, coloured it in with pencils and scanned both sheets to my PC. Uploaded the results to Flickr and here we are.